Something tells us though that the Dark Commander won't just let that happen, but there is no way they wouldn't try if they discovered it. Now that Russell and the others have Madi though, this is the time when they experiment on her, right? Maybe in their own interest, they will want to get that flame out and inspect it.
The only solution here would be to remove it and forget it ever existed, just like with those Sanctum drives.
Time and time again, it proves that it does more harm than good, and now it is literally making Madi evil. One thing is clear here though that flame has to go. No one is paying attention to her (and Jordan) and this could be a statement on how these people aren't really a family, specifically now as they rush to make plans and can't focus on everyone, or there just isn't enough time to cover every single thing with the same amount of focus. But if this is a shift for a character like Madi, there should be more time spent there. It isn't exactly a one-note issue, because Lola Flanery brings everything to the role of Madi even in small sequences. With so much going on, there is no chance that every character will get the same amount of time on screen, but Madi could offer so much more if she had. Madi can go first, mostly because there was the dark Kermit meme takeover going on inside of her. The 100 Season 6 Episode 7 Review: NevermindĬlarke's death and resurrection affected everyone differently, and it is fair to say it was scattered. This is only the beginning of the never-ending cycle of others fueled by the ones they loved, and yet what brings them together is how differently they all approach this dilemma. This question was posed and then paralleled across the board: with Bellamy working to save Clarke, Abby working to save Kane, Raven working to save Abby, Diyoza working to save Octavia which turned on them both, with Emori working to save both Murphy and Clarke, with Madi working to save Clarke, and Jordan working to save Delilah. This was also an episode that focused on the various ways in which the characters had to save the ones they loved. The episode kickstarts the portion of the season where every story revolves around one another, finally leaving room for everything to work together instead of having too many arcs at once. "The Old Man and the Anomaly" written by the legendary Miranda Kwok and directed by April Mullen works like glue putting together two different sections of one show, with danger as the catalyst that moves the stories forward.
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